A NEW VENTURE!
Well, after weeks of behind the scenes panicking and email-chatter, I'm proud to announce that I, along with Russell B Farr, Liz Grzyb, and the awesomely lovely Lyn Triffitt, am now one of the proud proprietors of the gonzo SF e-zine Ticonderoga Online.
We're looking for original short stories, between 1,500 and 5,000 words, written by Australian residents. We want bizarre, gonzo stories; SF in the tradition of Howard Waldrop, Jack Womack, Tom Reamy, and Alfred Bester. We want stories that make us as excited as the first time we read "San Diego Lightfoot Sue" or "Night Of The Cooters". Send us the stuff that even you think "What the hell kind of monster have I created here?".
Get over there and read the guidelines, and then submit to us, goldurnit! We want to be the premiere venue for truly cutting edge Australian fiction, so if you're getting a little bleh at all the pale imitations of each other you see when you look around, support something that aims to break some truly new ground.
Besides, if I'm giving up the 6 seconds free a day I was using for sleep, I want it to be worth it...
That address again: Ticonderoga Online. That's Ticonderoga Online.
Okay? :)
Thursday, December 18, 2003
Saturday, December 13, 2003
A BIG FAT WOO-HOO!
Guess who's going to be the Emerging Writer-In-Residence at the Katharine Susannah Prichard writer's Centre next year? Yup, your fat little hero! Put my application in without any great hopes, but they conducted a phone interview with myself and the other shortlisted applicants this morning, and rang back just after lunch to offer me the position.
Come late August I'll have 4 weeks of free writing time to work on the much-talked-about-but-never-quite-started Napoleon novel, plus I'll get to run a workshop, attend each of the centre's 10 writing groups at least once each, and pretty much put myself about being a writah dahling and pretending I don't have to do anything else for a living :)
The Centre officially offers:
• Workspace and accommodation
• Access to the KSP writing community, with opportunities to attend our several group meetings as a guest or participant, and to conduct a workshop.
• Efforts will be made to promote the writer/editor and the writer/editor’s work, especially in the local press, with the possibility of radio interviews.
• The writer/editor will be a guest reader at a KSP Sunday Readings, a long-established KSP.
My end of the bargain is to:
• Positively promote and represent the KSP Writers' Centre, before, during and after the residency, and to raise community awareness of writers and writing.
• Further community awareness of the Katharine Susannah Prichard Writers' Centre as a resource, helping to establish it as such for the future benefit of Western Australian writers and the wider community.
• Consult with the Centre’s Coordinator in drawing up a program, which will include participation in the Centre’s regular program and may include outside visits or workshops.
• Conduct one workshop on a topic in my field of interest over a minimum of three hours.
• Spend productive hours on developing a work-in-progress, with the possibility of this providing the basis for the Sunday Readings.
• Write a report suitable for publication, which reflects the writer/editor's experience while in residence.
• Complete an appropriate feedback report for the Management Committee.
• Participate in any public readings at the Centre scheduled to occur during the period of the residency, one of which will feature the writer/editor.
• Chair any Meet-the-Writer events which occur during the residency, one of which may feature the writer/editor.
• Consult with the Coordinator with respect to all matters relating to the residency, particularly in developing the resident’s program.
• Undertake other duties mutually agreed upon between the writer/editor and the Foundation, such as promotional or literary events in association with KSP activities.
Pretty cool, huh? The workshop I've punted to the Committee is one on alternate methods of writing outside of linear narrative, with the beautifully wanky title of "Living Inside The Firework: The Art of Pyrotechnic Writing", which is just an excuse to spend three hours cutting up bits of old books, doing silly stand-up comedy exercises, and reading weird stories :)
Guess who's going to be the Emerging Writer-In-Residence at the Katharine Susannah Prichard writer's Centre next year? Yup, your fat little hero! Put my application in without any great hopes, but they conducted a phone interview with myself and the other shortlisted applicants this morning, and rang back just after lunch to offer me the position.
Come late August I'll have 4 weeks of free writing time to work on the much-talked-about-but-never-quite-started Napoleon novel, plus I'll get to run a workshop, attend each of the centre's 10 writing groups at least once each, and pretty much put myself about being a writah dahling and pretending I don't have to do anything else for a living :)
The Centre officially offers:
• Workspace and accommodation
• Access to the KSP writing community, with opportunities to attend our several group meetings as a guest or participant, and to conduct a workshop.
• Efforts will be made to promote the writer/editor and the writer/editor’s work, especially in the local press, with the possibility of radio interviews.
• The writer/editor will be a guest reader at a KSP Sunday Readings, a long-established KSP.
My end of the bargain is to:
• Positively promote and represent the KSP Writers' Centre, before, during and after the residency, and to raise community awareness of writers and writing.
• Further community awareness of the Katharine Susannah Prichard Writers' Centre as a resource, helping to establish it as such for the future benefit of Western Australian writers and the wider community.
• Consult with the Centre’s Coordinator in drawing up a program, which will include participation in the Centre’s regular program and may include outside visits or workshops.
• Conduct one workshop on a topic in my field of interest over a minimum of three hours.
• Spend productive hours on developing a work-in-progress, with the possibility of this providing the basis for the Sunday Readings.
• Write a report suitable for publication, which reflects the writer/editor's experience while in residence.
• Complete an appropriate feedback report for the Management Committee.
• Participate in any public readings at the Centre scheduled to occur during the period of the residency, one of which will feature the writer/editor.
• Chair any Meet-the-Writer events which occur during the residency, one of which may feature the writer/editor.
• Consult with the Coordinator with respect to all matters relating to the residency, particularly in developing the resident’s program.
• Undertake other duties mutually agreed upon between the writer/editor and the Foundation, such as promotional or literary events in association with KSP activities.
Pretty cool, huh? The workshop I've punted to the Committee is one on alternate methods of writing outside of linear narrative, with the beautifully wanky title of "Living Inside The Firework: The Art of Pyrotechnic Writing", which is just an excuse to spend three hours cutting up bits of old books, doing silly stand-up comedy exercises, and reading weird stories :)
Friday, December 12, 2003
ANOTHER REVIEW
Check out this month's Ideomancer for my review of Chris Lawson's excellent short story collection Written In Blood. Then go buy it.
Check out this month's Ideomancer for my review of Chris Lawson's excellent short story collection Written In Blood. Then go buy it.
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